{"id":51174,"date":"2026-11-09T05:35:08","date_gmt":"2026-11-09T04:35:08","guid":{"rendered":"https:\/\/papacitoyen.reves-connectes.com\/en\/2026\/11\/09\/protect-your-music-before-release\/"},"modified":"2026-11-09T06:39:11","modified_gmt":"2026-11-09T05:39:11","slug":"protect-your-music-before-release","status":"publish","type":"post","link":"https:\/\/papacitoyen.reves-connectes.com\/en\/2026\/11\/09\/protect-your-music-before-release\/","title":{"rendered":"Protect your music before release"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Copyright is born with the work: what has changed is that you can now date every step of how it was made<\/h2>\n<p>On 6 September 2026, TuneCore blocked <em>Second Movement<\/em>, the second track of <a href=\"https:\/\/papacitoyen.reves-connectes.com\/en\/2026\/10\/05\/discomposed-ep-reon\/\">the Discomposed EP<\/a>, on the grounds that it had been produced by generative AI trained on unlicensed sources. The block was lifted the next day. What made the difference was neither a contract nor a lawyer, but dated files, registered while I was composing. To protect your music before release is no longer only about guarding against a hypothetical copycat. It means being able to show, at any moment, when and how a track was made. Twenty years ago, that was costly and rare. Today it takes a few seconds per file.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/papacitoyen.reves-connectes.com\/en\/wp-content\/uploads\/sites\/3\/2026\/11\/protect-your-music-before-release.jpg&#8221; alt=&#8221;Protect your music before release: work session, sketches and timestamp certificate&#8221; title_text=&#8221;protect-your-music-before-release&#8221; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><em>AI-generated illustration (Shutterstock)<\/em><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>The day I had to prove I had composed<\/h3>\n<p>I have told the full story of <a href=\"https:\/\/papacitoyen.reves-connectes.com\/en\/2026\/10\/20\/ai-false-positive-music-tunecore\/\">a track wrongly flagged as AI-generated<\/a>. In short, TuneCore&#8217;s message said nothing about the tool that had triggered the block. To appeal, I sent the track&#8217;s Ableton Live project, dated 12 July 2026, the MIDI files, a capture of the session and a Musicstart certificate of prior existence. The verification team approved distribution within twenty-four hours.<\/p>\n<p>I had prepared nothing for this particular case. I had made the Musicstart registration out of habit, to protect myself against copying. It ended up serving another purpose: showing that a file existed on a given date, before any release. The Live project and the MIDI did the rest, by showing how the track had been built, part by part. These are two different kinds of proof, and everything that follows rests on that distinction.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_code _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/3kfDk48vt0INWuTG7n2h0x\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>[\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<blockquote>\n<p>Every new R\u00ea&gt;ON track lands in your library automatically, the day it comes out. <a href=\"https:\/\/hypeddit.com\/revon\">Follow<\/a>.<\/p>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Copyright is not registered, it is proven<\/h3>\n<p>Under the Berne Convention, which binds France, the United Kingdom and the United States alike, copyright needs no formality to exist. In France, a work is protected from the moment it is created. A track written yesterday in a living room is protected just as much as one signed to a major label. The difficulty is never obtaining a right; it is demonstrating it on the day someone challenges it.<\/p>\n<p>A registration, whatever its form, does one thing only: it attaches a reliable date to a specific piece of content. It does not say the work is original, nor that a human composed it, nor even, on its own, who created it. The French lawyer Sophie Pennarun makes this point in <a href=\"https:\/\/consultation.avocat.fr\/blog\/sophie-pennarun\/article-2981711-comment-prouver-que-j-ai-cree-un-contenu-un-logo-ou-un-logiciel.html\">her guide to proving creation<\/a>: each kind of evidence is worth what it establishes, and the judge weighs the whole case by case. It is a body of clues, never a title deed.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>The old world: one proof, expensive and late<\/h3>\n<p>When I started composing, the options were few. The most common was also the weakest: mailing yourself a sealed envelope by registered post, containing the score, a cassette, later a floppy disk or a CD. The postmark dated the mailing, but nothing prevented anyone from opening and resealing the envelope before producing it, which is why its value as evidence was considered uncertain. In the English-speaking world it was nicknamed the poor man&#8217;s copyright, and it was never more than that.<\/p>\n<p>France also had the Soleau envelope from the national patent office, designed for inventions more than for music, and the deposit with a bailiff or a notary, whose sworn record holds unless proven otherwise. At that price, you registered one version only, the final one, once the track was finished. The sketches, the abandoned versions and the late mixing sessions lived only on a hard drive. Nobody thought of dating the path; they dated the destination.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>What blockchain changed, and what a court said about it<\/h3>\n<p>The break is economic, not legal. A timestamping service calculates a file&#8217;s digital fingerprint, writes it into a public, tamper-proof ledger, then issues a certificate. The file itself stays with you or with the provider; only its fingerprint is published. Changing a single byte of the file changes the fingerprint, which makes any alteration detectable.<\/p>\n<p>I use two of these services. <a href=\"https:\/\/www.profession-audiovisuel.com\/ipocamp-la-start-up-qui-protege-les-creations-artistiques-par-la-technologie-blockchain\/\">Ipocamp, a French start-up founded by an intellectual property lawyer<\/a>, lets me register working files as I go, in about thirty seconds each, files I would never have thought of mailing to myself. <a href=\"https:\/\/www.musicstart.com\/fr\/faq-protection-musique\/\">Musicstart, developed by URights, a subsidiary of the French collecting society Sacem<\/a>, anchors fingerprints on the Tezos blockchain; it is free for Sacem members.<\/p>\n<p>Courts have started to weigh in. In March 2025, in a copyright dispute between the fashion house AZ Factory and the wholesaler Valeria Moda, the Marseille Judicial Court accepted a blockchain anchor as initial written evidence, according to <a href=\"https:\/\/www.village-justice.com\/articles\/preuve-numerique-blockchain-que-change-jurisprudence-2025-pour-les,56231.html\">an analysis of the ruling published by Village de la justice<\/a>. The same analysis sets the limit: the anchor proves that a file existed on a date and has not changed since, not who created it. Other evidence has to link the proof to a person.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Where formal registration still matters<\/h3>\n<p>France offers a useful example of how the gate has opened. In 2015, <a href=\"https:\/\/www.sacem.lu\/download\/434\/statuts-reglement-general-2015.pdf\">Sacem&#8217;s general rules<\/a> still required at least five works, one of them released on a commercially sold record or performed at five public events over at least six months. That threshold assumed a small career. Since 2021, a single work that has been publicly exploited is enough: a first release on streaming platforms, through a distributor such as TuneCore, now opens the door. Once a member, I found Musicstart in my account. The collecting society no longer just pays out on finished works; it equips the proof upstream, during creation.<\/p>\n<p>In the United States, the logic differs. Copyright still exists without registration, but registering with the Copyright Office brings concrete advantages, which the Copyright Alliance lists in <a href=\"https:\/\/copyrightalliance.org\/faqs\/benefits-of-copyright-registration\/\">its guide to the benefits of registration<\/a>: statutory damages and attorney&#8217;s fees are only available if the work was registered before the infringement or within three months of publication, and registration within five years serves as prima facie evidence of validity. Owners of foreign works do not need it to file suit. Musicstart&#8217;s FAQ, for its part, describes a parallel US filing as advisable, not mandatory.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Dating is no longer enough: register the making<\/h3>\n<p>TuneCore&#8217;s false positive made me see something classic copyright never anticipated. A copycat disputes a date; a detector disputes a method. Against the first, a certificate of prior existence on the master is often enough. Against the second, it is almost useless: an AI-generated audio file can be timestamped as easily as any other. As I wrote about <a href=\"https:\/\/papacitoyen.reves-connectes.com\/en\/2026\/10\/20\/ai-content-labelling-music-tools-c2pa\/\">what music software does with AI labels<\/a>, no detector checks these ledgers anyway.<\/p>\n<p>What convinces is the trace of the work. A series of dated registrations, from the first sketch to the master, tells the story of a making process that a generative model does not produce: a project that grows, MIDI parts played and then corrected, abandoned versions. In practice, I now register:<\/p>\n<ul>\n<li>the Live project at each milestone, after a &#8220;Collect All and Save&#8221; so that it includes the sounds used;<\/li>\n<li>the exported MIDI files, which show human playing, hesitations included;<\/li>\n<li>the separate stems at the mixing stage, then the master.<\/li>\n<\/ul>\n<p>One rule follows from how fingerprints work: keep the registered files strictly identical, without reopening and resaving them. A modified copy, even by one byte, no longer matches the certificate. So I keep a frozen archive next to the working folder.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Listen to what was registered<\/h3>\n<p>To protect your music before release remains a matter of evidence, not of formality. What has changed in twenty years is that you can now prove the path and not only the destination, at almost no cost. Distributors and platforms keep adding automated checks: composers who have dated their work as they went will be able to answer within a day.<\/p>\n<p>To hear where R\u00ea&gt;ON belongs, from the pioneers of the 1950s to today, the Electronica \u2013 Electronic Music Anthology playlist is the best way in.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_code _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/528TZjv8tLozU3tQNcn1zI\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>[\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Have you faced a similar block, or do you protect your music differently? <a href=\"https:\/\/papacitoyen.reves-connectes.com\/nous-contacter\/\">Write to me<\/a> (the form is in French, but replies in English are welcome): I will add your experiences to this article.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_code _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#f7f7f7&#8243; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;]\n\t\t\t<form id=\"sib_signup_form_2\" method=\"post\" class=\"sib_signup_form\">\n\t\t\t\t<div class=\"sib_loader\" style=\"display:none;\"><img\n\t\t\t\t\t\t\tsrc=\"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-includes\/images\/spinner.gif\" alt=\"loader\"><\/div>\n\t\t\t\t<input type=\"hidden\" name=\"sib_form_action\" value=\"subscribe_form_submit\">\n\t\t\t\t<input type=\"hidden\" name=\"sib_form_id\" value=\"2\">\n                <input type=\"hidden\" name=\"sib_form_alert_notice\" value=\"Please enter your email address.\">\n                <input type=\"hidden\" name=\"sib_form_invalid_email_notice\" value=\"This email address is not valid.\">\n                <input type=\"hidden\" name=\"sib_security\" value=\"ad80e293ad\">\n\t\t\t\t<div class=\"sib_signup_box_inside_2\">\n\t\t\t\t\t<div style=\"\/*display:none*\/\" class=\"sib_msg_disp\">\n\t\t\t\t\t<\/div>\n                    \t\t\t\t\t<h3>Follow the R\u00ea&gt;ON journey and the next chapters of this story<\/h3>\r\n<p>A short letter when a new piece is published \u2014 exploring the genre, behind-the-scenes insights, and highlights to discover.<\/p>\r\n<p class=\"sib-email-area\">\r\n    Email address*\r\n    <input type=\"email\" class=\"sib-email-area\" name=\"email\" required=\"required\">\r\n<\/p>\r\n<p>\r\n    <input type=\"submit\" class=\"sib-default-btn\" value=\"SUBSCRIBE\">\r\n<\/p>\t\t\t\t<\/div>\n\t\t\t<\/form>\n\t\t\t<style>\n\t\t\t\tform#sib_signup_form_2 { padding: 5px; -moz-box-sizing:border-box; -webkit-box-sizing: border-box; box-sizing: border-box; } form#sib_signup_form_2 input[type=text],form#sib_signup_form_2 input[type=email], form#sib_signup_form_2 select { width: 100%; border: 1px solid #bbb; height: auto; margin: 5px 0 0 0; } form#sib_signup_form_2 .sib-default-btn { margin: 5px 0; padding: 6px 12px; color:#fff; background-color: #333; border-color: #2E2E2E; font-size: 14px; font-weight:400; line-height: 1.4285; text-align: center; cursor: pointer; vertical-align: middle; -webkit-user-select:none; -moz-user-select:none; -ms-user-select:none; user-select:none; white-space: normal; border:1px solid transparent; border-radius: 3px; } form#sib_signup_form_2 .sib-default-btn:hover { background-color: #444; } form#sib_signup_form_2 p{ margin: 10px 0 0 0; }form#sib_signup_form_2 p.sib-alert-message {\n    padding: 6px 12px;\n    margin-bottom: 20px;\n    border: 1px solid transparent;\n    border-radius: 4px;\n    -webkit-box-sizing: border-box;\n    -moz-box-sizing: border-box;\n    box-sizing: border-box;\n}\nform#sib_signup_form_2 p.sib-alert-message-error {\n    background-color: #f2dede;\n    border-color: #ebccd1;\n    color: #a94442;\n}\nform#sib_signup_form_2 p.sib-alert-message-success {\n    background-color: #dff0d8;\n    border-color: #d6e9c6;\n    color: #3c763d;\n}\nform#sib_signup_form_2 p.sib-alert-message-warning {\n    background-color: #fcf8e3;\n    border-color: #faebcc;\n    color: #8a6d3b;\n}\n\t\t\t<\/style>\n\t\t\t[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Copyright is born with the work: what has changed is that you can now date every step of how it was made On 6 September 2026, TuneCore blocked Second Movement, the second track of the Discomposed EP, on the grounds that it had been produced by generative AI trained on unlicensed sources. The block was [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":51173,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[700],"tags":[],"class_list":["post-51174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-explainers-music-industry","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/posts\/51174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/comments?post=51174"}],"version-history":[{"count":3,"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/posts\/51174\/revisions"}],"predecessor-version":[{"id":51177,"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/posts\/51174\/revisions\/51177"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/media\/51173"}],"wp:attachment":[{"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/media?parent=51174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/categories?post=51174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-json\/wp\/v2\/tags?post=51174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}