{"id":51011,"date":"2026-08-19T20:01:39","date_gmt":"2026-08-19T18:01:39","guid":{"rendered":"https:\/\/papacitoyen.reves-connectes.com\/en\/?p=51011"},"modified":"2026-08-19T20:45:31","modified_gmt":"2026-08-19T18:45:31","slug":"dragon-ball-park-mirapolis","status":"publish","type":"post","link":"https:\/\/papacitoyen.reves-connectes.com\/en\/2026\/08\/19\/dragon-ball-park-mirapolis\/","title":{"rendered":"Mirapolis, from Gargantua to Dragon Ball: the possible rebirth of a forgotten pioneer"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">There are places that carry within them the entire history of French theme parks. The site at Courdimanche, in the Val-d&#8217;Oise just north-west of Paris, is one of them. Some thirty kilometres from the capital, on this vast wasteland that nature has slowly reclaimed, once stood Mirapolis \u2014 billed at its opening as &#8220;France&#8217;s first major theme park.&#8221; Today, a persistent rumour is stirring the theme-park world, and us first of all: the world of Dragon Ball could be reborn here, backed by Saudi investors. The story, <\/span><a href=\"https:\/\/www.franceinfo.fr\/culture\/cinema\/films-animation\/un-projet-de-parc-d-attractions-dragon-ball-a-l-etude-en-ile-de-france-sur-le-site-de-mirapolis-pionnier-du-genre-ferme-il-y-a-trente-cinq-ans_8142875.html\"><span style=\"font-weight: 400;\">broken by Politico and then confirmed by several sources close to the matter<\/span><\/a><span style=\"font-weight: 400;\">, remains for now a negotiation conducted in the utmost discretion by the \u00c9lys\u00e9e \u2014 with no official announcement. Nothing is signed. But the opportunity is too good not to look closely at what this site really tells us, and at the questions such a project raises. Let&#8217;s take the time to look at the facts.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">A French pioneer born too soon<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Mirapolis opened its doors in May 1987, inaugurated with great fanfare by Jacques Chirac, then Prime Minister. The park sprang from the imagination of architect Anne Fourcade, with an ambitious idea: to build a &#8220;French Disneyland&#8221; devoted not to mice or superheroes, but to our own tales and legends. The giant Gargantua, drawn from Rabelais, presided over it as a statue some 35 metres tall, visible from the A15 motorway, and even housed a ride. A detail history loves: the financing already rested, back then, on Saudi capital, through businessman Gaith Pharaon. Yesterday&#8217;s backers foreshadow today&#8217;s.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The story, alas, was brief. The park aimed for 2 to 2.5 million visitors a year; it drew barely 800,000 in its first season. Facing competition from the newly opened Parc Ast\u00e9rix in 1989, weakened by troubled management and repeated disputes, Mirapolis closed for good in October 1991 \u2014 after just four and a half seasons, and six months before the opening of Disneyland Paris, which would go on to redefine the entire sector. Little remains today: a concrete block at the entrance, a few vestiges swallowed by the trees. Mirapolis is no isolated case: it belongs to that generation of 1980s French parks \u2014 like Zygofolis in Nice or Big Bang Schtroumpf in Lorraine \u2014 swept away by the same wave of miscalibrated ambition.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_code _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GYvQSoxrgW8?si=yuI9NBSsuyFPXslQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>[\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/papacitoyen.reves-connectes.com\/en\/wp-content\/uploads\/sites\/3\/2026\/08\/dragonballpark.jpg&#8221; alt=&#8221;The 70-metre Shenron, centrepiece of Qiddiya&#8217;s Dragon Ball park &#8221; title_text=&#8221;dragonballpark&#8221; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><i><span style=\"font-weight: 400;\">The 70-metre Shenron, centrepiece of Qiddiya&#8217;s Dragon Ball park (artist&#8217;s impression). \u00a9 Qiddiya Investment Company \u2014 Dragon Ball universe \u00a9 Toei Animation \/ Bird Studio.<\/span><\/i><\/p>\n<h2><span style=\"font-weight: 400;\">55 hectares of wasteland: room to build, but how far?<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">This is the project&#8217;s real technical question, and it deserves a pause. The site covers about 55 hectares (older surveys put it closer to 47 to 50). At first glance, that&#8217;s comfortable. But let&#8217;s put the figure in perspective: the Dragon Ball park Qiddiya is already building in Riyadh, the global benchmark of its kind, takes up more than 500,000 square metres on its own \u2014 exactly 50 hectares. In other words, the Courdimanche site is barely the size of the flagship Saudi park.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The implication is clear. There&#8217;s room to build a serious theme park \u2014 Parc Ast\u00e9rix thrives on a comparable footprint. But there&#8217;s no land reserve to imagine, one day, a multi-park resort on the scale of Disneyland Paris, which sprawls over several thousand hectares with decades of expansion ahead of it. The site allows a fine park; it doesn&#8217;t promise an empire. That constraint probably explains why sources describe a French version &#8220;more modest&#8221; than the Saudi model.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The figure still needs qualifying. While the total footprint is around 55 hectares, only about thirty are currently zoned for leisure in Courdimanche&#8217;s local land-use plan (PLU); mobilising more would mean revising that document \u2014 an administrative step that is anything but trivial. Another point of vigilance, and not a minor one: access. Poor accessibility was part of what precipitated Mirapolis&#8217;s fall, and regional officials are already warning that the site&#8217;s transport links would need serious improvement before anyone can hope for millions of visitors. An available brownfield at the gates of the Paris region remains a rare asset; it still has to be made genuinely reachable.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">What the Saudi model looks like<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">To gauge the scale of what could emerge, a detour via Riyadh is in order. In March 2024, just weeks after the death of Akira Toriyama, Qiddiya Investment Company \u2014 the investment arm of the Saudi sovereign wealth fund \u2014 announced, together with studio Toei Animation, <\/span><a href=\"https:\/\/qiddiya.com\/media-centre\/media-centre-listing\/worlds-only-dragon-ball-theme-park-launched-in-qiddiya-city\/\"><span style=\"font-weight: 400;\">the world&#8217;s very first Dragon Ball park<\/span><\/a><span style=\"font-weight: 400;\">. The project is dizzying: seven zones inspired by the seven Dragon Balls, recreating iconic locations such as Kame House, Capsule Corporation and Beerus&#8217; Planet; more than thirty attractions, five of them billed as &#8220;world firsts&#8221;; themed hotels; and, as its centrepiece, a 70-metre Shenron with a roller coaster running through its heart. All of it within Qiddiya, a leisure megacity about forty minutes from the capital. It is that reference \u2014 spectacular and without equal \u2014 that the French version, announced as &#8220;more modest,&#8221; would have to live up to in the eyes of demanding fans. For the sake of completeness, it&#8217;s worth noting: the announcement already drew mixed reactions, with some fans questioning the choice of Saudi Arabia. No opening date has been given there either, for that matter.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Dragon Ball, a cultural given in France<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">If any project is to succeed where Mirapolis failed, it&#8217;s this one \u2014 for one simple reason: the demand is already here. Where Mirapolis had to build public attachment to its world from scratch, Dragon Ball arrives with forty years of fame. Akira Toriyama&#8217;s work, born in 1984, has sold a staggering number of copies \u2014 between 260 and 300 million depending on the count \u2014 making it one of the best-selling manga of all time.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And in France more than anywhere, the bond runs deep. Aired on the cult children&#8217;s TV block Club Doroth\u00e9e from 1987 to 1997, the anime enjoyed a dominance hard to imagine today: up to 60% audience share at its peak, a show watched by the vast majority of an entire generation of children, and an estimated 26 to 30 million manga volumes sold in France. That generation, raised on Goku&#8217;s battles in the schoolyard, is now grown up \u2014 and raising children of its own. France even honoured Toriyama in his lifetime, naming him a Knight of the Ordre des Arts et des Lettres in 2019, five years before his death. A Dragon Ball park at the gates of Paris would therefore address not an audience to be won over, but one to be reunited with.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">A mature ecosystem, with memory as a safeguard<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">The context, too, has changed radically since 1991. France has become Europe&#8217;s leading theme-park nation. The 2025 season confirmed it with records tumbling one after another: Puy du Fou passed 3 million visitors, <\/span><a href=\"https:\/\/papacitoyen.reves-connectes.com\/blog\/2023\/06\/10\/nouvelle-zone-toutatis-parc-asterix\/\"><span style=\"font-weight: 400;\">Parc Ast\u00e9rix<\/span><\/a><span style=\"font-weight: 400;\"> reached 2.9 million \u2014 along with a \u20ac250 million expansion plan by 2030 \u2014 while <\/span><a href=\"https:\/\/papacitoyen.reves-connectes.com\/blog\/2026\/03\/24\/disney-adventure-world-le-renouveau-dun-parc-le-reve-dun-fan-notre-reportage\/\"><span style=\"font-weight: 400;\">Disneyland Paris<\/span><\/a><span style=\"font-weight: 400;\"> reigns unchallenged over the continent. Futuroscope, one of our parks of the heart, which we <\/span><a href=\"https:\/\/papacitoyen.reves-connectes.com\/blog\/2026\/07\/19\/futuroscope-notre-retour-en-famille-au-coeur-dun-parc-qui-se-reinvente-pulse-mission-bermudes-chasseur-de-tornades\/\"><span style=\"font-weight: 400;\">wrote about recently in connection with Mission Bermudes<\/span><\/a><span style=\"font-weight: 400;\">, holds steady at around 2 million entries. The market has never been so dynamic, nor families so accustomed to this kind of leisure.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Still, the Courdimanche site carries a warning etched into its very soil. Mirapolis failed precisely because it aimed too big, too soon, on overestimated attendance. A Dragon Ball project would inherit that advantage \u2014 a globally &#8220;pre-sold&#8221; licence \u2014 but also that risk: a version judged too modest against the splendour promised in Riyadh could disappoint. Not to mention the political dimension of the matter, driven by a foreign sovereign fund and already criticised by several local officials for its lack of consultation. The subject isn&#8217;t neutral, and it would be dishonest to pretend otherwise.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Presidential passion or strategic calculation?<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">One question deserves to be asked plainly: is this project born of a genuine taste for Japanese animation, or of a simple economic and diplomatic opportunity? Both, no doubt. Emmanuel Macron has made repeated gestures toward this culture. In 2021, in Tokyo, he met legendary manga artists \u2014 Katsuhiro Otomo, the father of Akira, and Hiro Mashima, creator of Fairy Tail \u2014 and received a signed drawing from Eiichir\u014d Oda, the creator of One Piece. In April 2026, on an official visit to Japan, he even performed a &#8220;kamehameha&#8221; in front of the Japanese Prime Minister \u2014 an image that went viral. He&#8217;s fond of pointing out, too, that France is the world&#8217;s second-largest manga market: one comic book sold in two in France is a manga.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Should we see in this a presidential passion? Observers read it mainly as a soft-power strategy: harnessing a pop culture beloved by the French to tighten Franco-Japanese ties and attract investment. The Courdimanche project fits that logic \u2014 courting foreign capital, reviving a wasteland, signalling ambition for the cultural industries \u2014 far more than any crush on Goku. Which takes nothing away from its coherence: rarely have a site, a global licence and political will seemed so aligned. But that alignment is also a fragility, as a very recent precedent reminds us.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">The spectre of Europa City<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">A few kilometres from Courdimanche, the Val-d&#8217;Oise still nurses the bitter memory of another aborted mega-leisure project. Europa City \u2014 a commercial and cultural megacomplex complete with a water park and artificial ski slopes, backed by the Auchan group and China&#8217;s Wanda \u2014 was to rise in the Triangle de Gonesse. Announced budget: \u20ac3 billion, for a hoped-for 30 million visitors a year. After years of struggle, the project was <\/span><a href=\"https:\/\/www.actu-juridique.fr\/administratif\/urbanisme-construction\/triangle-de-gonesse-les-moissons-de-la-discorde\/\"><span style=\"font-weight: 400;\">abandoned in November 2019<\/span><\/a><span style=\"font-weight: 400;\">: its planning permit had been struck down by the administrative courts, and the government ultimately withdrew its support in the name of environmental commitments. Foreign capital, outsized ambitions, opposition from associations and farmers: it all came crashing down.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The parallel is enough to give pause. But let&#8217;s be fair: the crucial difference lies in the land. Europa City was to be built on hundreds of hectares of some of the most fertile farmland in the Paris region \u2014 that was the heart of the opposition. Courdimanche, by contrast, is a former leisure site already built over, which largely defuses the agricultural argument that sank Gonesse. The risk isn&#8217;t nil for all that: it has simply changed in nature. Because this wasteland, contrary to what one might think, is not empty \u2014 more on that shortly. What remains are the pitfalls common to this kind of venture: sensitivity to foreign capital (Chinese yesterday, Saudi today), ever-possible legal challenges, the need for local consultation already being demanded, and above all a dependence on political momentum that has its own expiry date. A park like this is measured in years; a presidential term, by contrast, has a known end.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">What such a park could bring to the region<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">For if the project raises reservations, it also holds a promise it would be unfair to ignore. The eastern Val-d&#8217;Oise is an area its own elected officials readily describe as cut off and hungry for appeal. A park of international scale would inject jobs there \u2014 from construction to operation, taking in hotels, catering and a host of trades \u2014 and give the whole area real visibility.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To measure the potential, one example, to be handled as a ceiling rather than a promise: at the other end of the Paris region, Disneyland Paris <\/span><a href=\"https:\/\/www.france24.com\/fr\/info-en-continu\/20260327-disneyland-paris-les-principaux-chiffres-d-une-destination-ultra-pris%C3%A9e\"><span style=\"font-weight: 400;\">claims around 17,000 direct jobs<\/span><\/a><span style=\"font-weight: 400;\">, up to 70,000 direct, indirect and induced jobs, and a cumulative contribution of nearly \u20ac120 billion to the French economy since 1992 \u2014 roughly 6% of national tourism revenue. A Dragon Ball park would obviously be on a completely different scale, nothing like the giant of Marne-la-Vall\u00e9e. But the order of magnitude is a reminder: a well-conceived leisure site isn&#8217;t just an attraction \u2014 it&#8217;s an economic engine, a magnet for tourists and a local employer. Even the Communist group on the regional council, cautious as it is, sees a possible jobs opportunity in it. What remains is to turn that potential into lasting reality \u2014 which means listening, upstream, to those the project concerns first and foremost.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">An inhabited site: consultation as compass<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Here is the point most commentary passes over in silence, and one it seems essential to us to state clearly: the Courdimanche wasteland is not empty. Since 2017, a community of Travellers (<\/span><i><span style=\"font-weight: 400;\">gens du voyage<\/span><\/i><span style=\"font-weight: 400;\">) has lived there \u2014 around a hundred households, some 400 people, including about twenty children enrolled in schools in neighbouring towns. A park project therefore cannot sidestep a simple human question: what would become of these families?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That, to our mind, is where the matter will succeed or fail. The criticisms already voiced \u2014 by MP Aur\u00e9lien Tach\u00e9 as by local officials \u2014 do not reject the idea of a park; they call for one precise and legitimate thing: genuine consultation, upstream, with residents, neighbouring towns, associations and the area&#8217;s representatives. Recent history, with Europa City just next door, shows it well: a major development only holds up over time if it truly involves its stakeholders, rather than being imposed from the top of the State. Finding dignified rehousing solutions, opening dialogue, sharing the benefits with the local community: these aren&#8217;t obstacles to the project, but the conditions of its legitimacy. A family park, by definition, isn&#8217;t built against a region \u2014 it&#8217;s built with it.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Our take as enthusiasts<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">You know us: we love wandering a park&#8217;s pathways as much as rediscovering the worlds that shaped our childhood. This project brings together, on a single plot, our two passions \u2014 theme parks and the culture of Japanese animation. Hard, then, not to feel a flicker of excitement. But our role is to keep a cool head. What we see is a site steeped in history, a golden licence, a ready market \u2014 and, on the other side, a footprint more constrained than it appears, an inhabited site that will need care, a still-hazy financing plan and the ghost of a resounding failure. The ingredients for a fine rebirth are there; the dosage will decide everything.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">What still needs confirming<\/span><\/h2>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Official confirmation<\/b><span style=\"font-weight: 400;\">: at this stage, no announcement has been made. The project is described as &#8220;well advanced,&#8221; nothing more.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The genuinely usable land<\/b><span style=\"font-weight: 400;\">: about 30 hectares are zoned for leisure in the PLU, out of a total footprint of around fifty; going further would require revising the planning document.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The future of the site&#8217;s current occupants<\/b><span style=\"font-weight: 400;\"> and rehousing solutions \u2014 an unavoidable human prerequisite.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Transport and access<\/b><span style=\"font-weight: 400;\">, the site&#8217;s historic Achilles&#8217; heel, already flagged by regional officials.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The cost and timeline<\/b><span style=\"font-weight: 400;\">: an investment put at over \u20ac1 billion, with no opening date.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Local consultation<\/b><span style=\"font-weight: 400;\">, a sticking point already raised by Val-d&#8217;Oise officials.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Administrative and environmental approvals<\/b><span style=\"font-weight: 400;\">, the crux of many projects in the Paris region \u2014 even though the already-built-over site sharply limits the land-artificialisation risk that sank Europa City.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The final ambition<\/b><span style=\"font-weight: 400;\">: a true park worthy of the licence, or a watered-down version?<\/span><\/li>\n<\/ul>\n<h2><span style=\"font-weight: 400;\">In short<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Mirapolis deserves better than an urbex memory. Whether or not this project comes to fruition, it&#8217;s a reminder of an obvious truth: great leisure sites tell the story of an era \u2014 its dreams and its mistakes. Going from Gargantua to Goku would be a magnificent symbol \u2014 that of a country which, having once set out to celebrate its own legends, would fully embrace those from elsewhere that shaped its youth. We&#8217;ll follow this story closely, with as much hope as vigilance, and we&#8217;ll come back to you as soon as the facts firm up.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the meantime, we invite you to revisit our exploration of the great theme parks on the channel, to keep the family outing going. Happy viewing!<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_code _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#f7f7f7&#8243; global_colors_info=&#8221;{}&#8221;]\n\t\t\t<form id=\"sib_signup_form_3\" method=\"post\" class=\"sib_signup_form\">\n\t\t\t\t<div class=\"sib_loader\" style=\"display:none;\"><img\n\t\t\t\t\t\t\tsrc=\"https:\/\/papacitoyen.reves-connectes.com\/en\/wp-includes\/images\/spinner.gif\" alt=\"loader\"><\/div>\n\t\t\t\t<input type=\"hidden\" name=\"sib_form_action\" value=\"subscribe_form_submit\">\n\t\t\t\t<input type=\"hidden\" name=\"sib_form_id\" value=\"3\">\n                <input type=\"hidden\" name=\"sib_form_alert_notice\" value=\"Please enter your email address.\">\n                <input type=\"hidden\" name=\"sib_form_invalid_email_notice\" value=\"This email address is not valid.\">\n                <input type=\"hidden\" name=\"sib_security\" value=\"357a9add6e\">\n\t\t\t\t<div class=\"sib_signup_box_inside_3\">\n\t\t\t\t\t<div style=\"\/*display:none*\/\" class=\"sib_msg_disp\">\n\t\t\t\t\t<\/div>\n                    \t\t\t\t\t<h3>Never miss the connected imagination<\/h3>\r\n<p>Theme parks, tech, pop culture, video games: get our new articles and reports. No spam, unsubscribe in one click.<\/p>\r\n<p class=\"sib-email-area\">\r\n    Email address*\r\n    <input type=\"email\" class=\"sib-email-area\" name=\"email\" required=\"required\">\r\n<\/p>\r\n<p>\r\n    <input type=\"submit\" class=\"sib-default-btn\" value=\"SUBSCRIBE\">\r\n<\/p>\t\t\t\t<\/div>\n\t\t\t<\/form>\n\t\t\t<style>\n\t\t\t\tform#sib_signup_form_3 p.sib-alert-message {\n    padding: 6px 12px;\n    margin-bottom: 20px;\n    border: 1px solid transparent;\n    border-radius: 4px;\n    -webkit-box-sizing: border-box;\n    -moz-box-sizing: border-box;\n    box-sizing: border-box;\n}\nform#sib_signup_form_3 p.sib-alert-message-error {\n    background-color: #f2dede;\n    border-color: #ebccd1;\n    color: #a94442;\n}\nform#sib_signup_form_3 p.sib-alert-message-success {\n    background-color: #dff0d8;\n    border-color: #d6e9c6;\n    color: #3c763d;\n}\nform#sib_signup_form_3 p.sib-alert-message-warning {\n    background-color: #fcf8e3;\n    border-color: #faebcc;\n    color: #8a6d3b;\n}\n\t\t\t<\/style>\n\t\t\t[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There are places that carry within them the entire history of French theme parks. The site at Courdimanche, in the Val-d&#8217;Oise just north-west of Paris, is one of them. Some thirty kilometres from the capital, on this vast wasteland that nature has slowly reclaimed, once stood Mirapolis \u2014 billed at its opening as &#8220;France&#8217;s first [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":51015,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"A Dragon Ball Park on the Mirapolis Site: Our Analysis","_seopress_titles_desc":"A Dragon Ball theme park on the former Mirapolis site near Paris? 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